CONTENTS OF VOLUME XLIII (2026)

NUMBER 1

A New Chronology for Hans Burgkmair’s Portrait of Jakob Fugger by ELIZABETH SAVAGE   3

Conrad Martin Metz and his Imitations of Ancient and Modern Drawings by ELANIA PIERAGOSTINI   14

Paul Gauguin’s Portrait of Stéphane Mallarmé by AARON SLODOUNIK   27

Shorter Notice

New Facts about Russia’s Imperial Portrait Series, 1745–77 by DOMINIKA CORA   36

Notes

The Place of Prints (Placing Prints: New Developments in the Study of Print 1400–1800) by ARMIN KUNZ   44

Dürer in Trento (Dürer e gli altri. Rinascimenti in riva all’Adige) by CHRISTOPHER P. HEUER   47

Tattoo Art: Dürer under your Skin by SABINE MÖDERSHEIM   48

The Useless Scythe in Caraglio’s Saturn after Rosso by BERNARD BARRYTE   50

Giovanni Battista Scultori (1503–75) at the Palazzo Ducale, Mantua by EVELYN LINCOLN   52

Antoine Caron (1521–1599). Le Théâtre de L’Histoire by FRÉDÉRIC HUEBER   55

New Online Resource D.A.N.T.E. (Digital Archive and New Technologies for E-content) by SERENA MALATESTA   58

Violence and the Genesis of the Anatomical Image by SCOTT NETHERSOLE   59

Little Beasts: Art, Wonder, and the Natural World by AN VAN CAMP   60

Piranesi’s Vedute di Roma by ANDREW ROBISON   63

Hiroshige’s One Hundred Famous Views of Edo by ELLIS TINIOS   65

Aubrey Beardsley and the Grotesque by STEPHEN CALLOWAY   67

Robert Lotiron (1886–1966) (La poésie du quotidien) by MARTIN HOPKINSON   71

Tirzah Garwood (1908–51) (Beyond Ravilious) by JOANNA SELBORNE   71

Yoshida: Three Generations of Japanese Printmaking by JOE NICKOLS   73

Obituary for David Bindman (1940–2025)   76

Obituary for Christopher Mendez (1943–2025) by ANTONY GRIFFITHS   77

Catalogue and Book Reviews

Leonardo da Vinci and Printmaking (Léonard de Vinci et l’art de la gravure. Traduction, interprétation et réception) by DAVID LANDAU   78

The Holy House of Loreto (Early Modern Replicas of the Holy House of Loreto: Translating Space) by GERVASE ROSSER   83

Hokuei: Master of Osaka Kabuki Prints by ELLIS TINIOS   86

Mary Cassatt at Work by BRITANY SALSBURY   90

John Wilson: Witnessing Humanity by JOHN A. TYSON   94

NUMBER 2

The States of Francesco Parmigianino’s Etchings: A New Catalogue by CATHERINE JENKINS   115

On Conserving and Remounting the Edmond de Rothschild Collection at the Louvre by VICTORIA FERNANDEZ MASAGUER   158

Shorter Notice

Denmark’s Sea Trade: A Preparatory Drawing and Martin Tyroff’s Related Print by KARL-GEORG PFÄNDTNER   169

Notes

The Many Faces of the Fool (Figures du Fou. Du Moyen Âge aux Romantiques) by DAAN VAN HEESCH   173

Woodcuts and the Creation of Medical-Astronomical Knowledge in the Low Countries, 1500–50 (Woodcuts as Reading Guides) by ELIZABETH SAVAGE   175

Painters and Illuminators: Parisian Book Production of the Renaissance (Illustrer le livre. Peintres et enlumineurs dans l’édition parisienne de la Renaissance) by VALERIE AUCLAIR   178

Goltzius and Rubens Paired in Munich (Careers by Design: Hendrick Goltzius and Peter Paul Rubens) by JUN NAKAMURA   179

Printed Images as a Vehicle for Theological Comments on the Bible (In Readers’ Hands: New Perspectives on Premodern Bibles in Europe) by MAŁGORZATA BIŁÓZOR-SALWA   181

Louis Chéron (L’ambition du dessin parfait) by RICHARD STEPHENS   183

William Blake (1757–1827) at Yale by ESTHER CHADWICK   185

Italian Playing Cards and Games from the Crippa Collection (L’arte del gioco. Giochi antichi dalla Collezione Crippa della Raccolta Bertarelli di Milano) by THIERRY DEPAULIS   187

Hokusai’s Method by ELLIS TINIOS   189

Herry Perry: Artist and Illustrator by MIA NATHAN   190

How Comics are Made by MATTHIAS WIVEL   192

Ian Hamilton Finlay (1925–2006) (Fragments: Ian Hamilton Finlay) by GILL SAUNDERS   195

Publications Received   197

Catalogue and Book Reviews

Maarten van Heemskerck by NADINE M. ORENSTEIN   199

Parisian Almanacs from the Reign of Louis XIV (Louis le Grand, la terreur et l’admiration de l’univers) by LOUIS MARCHESANO   203

The Radical Print: Art and Politics in Late Eighteenth-Century Britain by TIM CLAYTON   208

François Chifflart’s Fortunes Rehabilitated by EVANGHELIA STEAD   213

Diane Victor’s Prints by JEAN MICHEL MASSING   216

NUMBER 3

Lost and Found: An Unpublished Woodcut by Pamvo Berynda by GEORGII TITOV   235

Filippo Morghen as Print Publisher in Naples: New Documents by DOMENICO PINO   246

Charles F. Greville (1749–1809) and the Print Industry by ANN V. GUNN   253

Bruce Onobrakpeya’s Printmaking: ‘Creation Has No Retirement’ by AUGUSTINA BOATENG   264

Notes

Strasbourg 1560–1600. Beyond Print by SUSANNE MEURER   278

Learning to Draw (Akte, Antike, Anatomie: Zeichnend die Welt erschliessen) by GUIDO SCHOLTEN   281

Gothic Modern – Munch, Beckmann, Kollwitz by FREYDA SPIRA   283

Henry Winstanley, 1644–1703 by ANTONY GRIFFITHS   287

Edgar Degas’s Cuff Button by MARJORIE B. COHN   287

Chromo de Bazar by CAMILLA MURGIA   288

Dance of Death (La mort dans tous ses états. Modernité et esthétique des Danses macabres, 1785–1966) by AN VAN CAMP   289

Typophoto as Perceptual Paradigm (New Typography and the Reinvention of Photography) by SABINE KRIEBEL   293

Li Hua (1907–94): Voice of the Woodcut Revolution in Modern China by GUO MEILIN and MOHD JAMIL MAT ISA   294

The Poster as Art in the People’s Republic of Poland, 1944–68 (De la résistance à l’autonomie) by CELINA FOX   297

Publications Received   299

Catalogue and Book Reviews

Art on the Move in Renaissance Italy by IRENE BROOKE   301

Jan Ponętowski’s Collection of Engravings in the Jagiellonian Library in Cracow (Kolekcja rycin Jana Ponętowskiego w zbiorach Biblioteki Jagiellon´skiej w Krakowie) by WALDEMAR DELUGA   307

Hiroshige: Artist of the Open Road by TIMON SCREECH   312

The Culley Collection at Pomona College (An Unruly Assembly: The Culley Collection of Woodblock Prints) by JAKE MILGRAM WIEN   315

Jacob Samuel and Contemporary Etching by SUSAN TALLMAN   319

Screenprints (A History) by PAUL COLDWELL   323