CONTENTS OF VOLUME XLII (2025)
NUMBER 1
Engravings for Polish Equestrians: Tomasz Makowski’s Illustrations for Hippica (1603) by ADAM PERZYŃSKI 2
‘Bengalee Work’ before Aquatint: Thomas Daniell’s Views of Calcutta by JALEN CHANG 20
From Brussels to Point Breeze: Charlotte Bonaparte’s Lithographic Landscapes, 1821–25 by THOMAS BUSCIGLIO-RITTER 31
Shorter Notices
Antonio Salamanca’s First Marriage by CORINNA GALLORI 44
Diane Victor: A Triptych and its Antecedents by GILL SAUNDERS 46
Notes
Pollaiolo (I disegni di Antonio e Piero del Pollaiolo) by DAVID LANDAU 54
Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean by LINDA PARSHALL 56
Drawing from Sixteenth-Century German Prints in the Zeghere van Male Partbooks by HUW KEENE 57
Graphic Series Explain the World (Die Ordnung der Dinge: Graphische Serien erklären die Welt) by KINGA BODI 60
Giorgio Ghisi’s Allegory of Human Life by LUCA BARONI 63
Travelling Artists (Connecting Worlds: Artists and Travels) by BERNARD AIKEMA 64
Goltzius in Freiburg and Gottingen Collections (Verwandlung der Welt: Meisterblätter von Hendrick Goltzius) by MARJOLEIN LEESBERG 66
Natale Conti’s Mythologie by ANNA BAYDOVA 69
Divine Guido Reni by MARZIA FAIETTI 71
The Print Collection of the Petit Palais, Paris (Trésors en noir et blanc) by CATHERINE JENKINS 74
Hokusai’s Fuji by ELLIS TINIOS 76
Octave de Rochebrune (1824–1900), A One-Off from the Vendee by EMMANUEL PERNOUD 77
Degas and the Laundress by ASHLEY DUNN 80
Art for the Millions: American Culture and Politics in the 1930s by ROBIN OWEN JOYCE 83
Jean Delpech (1916–88) by MARTIN HOPKINSON 85
Lygia Pape: Tecelares by IRIA CANDELA 86
Obituary for Reba White Williams by ANTONY GRIFFITHS 89
Catalogue and Book Reviews
The Reception of Mantegna’s Prints in Germany (Aemulatio Italorum) by BERNARD AIKEMA 90
Netherlandish Prints in the Balkans by GRAŻYNA JURKOWLANIEC 95
Rubens in Repeat: The Logic of the Copy in Colonial Latin America by VICTORIA SANCHO LOBIS 99
Inventorying Ed Ruscha (Ed Ruscha / Now Then: A Retrospective) by RACHEL VOGEL 105
Self Help Graphics at Fifty by TERESA ECKMANN 110
NUMBER 2
A Portrait of Angelo del Pas Attributed to Luca Ciamberlano by LUCA BARONI 131
A Mezzotint by Jacob Christoff Le Blon (1667–1741) at Oxburgh Hall by JANE EADE 143
Abraham Raimbach and the Reception of Prints after Sir David Wilkie in France by STEPHEN BANN 154
John Linnell, Leonardo Cungi and the Vault of the Sistine Chapel by PAUL JOANNIDES 168
Notes
Early Modern Visual Parodies (Gegenbilder. Bildparodistische Verfahren in der Frühen Neuzeit) by ULRIKE EYDINGER 185
Printing Magic (Art of the Grimoire) by NIGEL IP 187
Images of Miraculous Healing in the Early Modern Netherlands by EVELYNE VERHEGGEN 189
Giovanni Battista Piranesi’s (1720–78) Texts (Edizione Nazionale dei Testi delle Opere di Giovanni Battista Piranesi. I. Opere giovanili, ‘Vedute di Roma’, ‘Pianta di Roma e Campo marzo’) by ANTONY GRIFFITHS 191
William Blake Apprentice Engraver by MARK CROSBY, JOHN BARRETT and ADAM LOWE 192
Politics and Dissemination of Images in Europe, 1750–1848 (De la création à la confrontation) by ERSY CONTOGOURIS 194
Eighteenth-Century Cheap Print and Cheap Prints by CYNTHIA ROMAN 197
Regency Printmaker, George Cuitt (1779–1854) by SARAH GRANT 199
Salon Culture in Japan: Making Art, 1750–1900 by TIMON SCREECH 201
The Fantastic Gustave Doré and La Constellation Gustave Doré (1832–83) by TED GOTT 203
Whistler at the Colby College Museum of Art and the Freer Gallery of Art (Whistler: Streetscapes, Urban Change) by GRISCHKA PETRI 206
The Art of the Literary Poster: The Leonard A. Lauder Collection by RUTH E. ISKIN 207
Käthe Kollwitz: A Retrospective by PAUL COLDWELL 210
Grants from the O’Brien Art Foundation 213
Mary Wykeham (1909–96): A Slant of Light (Mary Wykeham: Surrealist out of the Shadows) by NATALIE DUPÊCHER 213
From Resistance to Autonomy: The Polish Poster in the Age of Socialist Realism, 1944–54 by WALDEMAR DELUGA 215
Gertrude Goldschmidt aka Gego (1912–94) (Gego: Weaving the Space in Between) by MICHAEL ASBURY 218
Glenn Ligon: All Over the Place (Fitzwilliam Museum, Cambridge, UK) by PAUL COLDWELL 220
Anne Desmet: Kaleidoscope by PAUL COLDWELL 222
Artist’s Books in the Islamic World (Artists Making Books: Poetry to Politics) by MARCIA REED 224
Publications Received 227
Catalogue and Book Reviews
The Liber Quodlibetarius and the Art of Observation (Early Modern Print Media and the Art of Observation: Training the Literate Eye) by SUZANNE KARR SCHMIDT 229
Melchior Lorck (1526/27–83) by MAARTEN BASSENS 233
Goethe’s Faust I Outlined by BETHAN STEVENS 240
Kerry James Marshall by CLARE ROGAN 244
NUMBER 3
A Portrait of Israhel and Ida van Meckenem by CAROLYN YERKES 259
John Constable’s Working Relationship with David Lucas on the English Landscape Series by ELENOR LING and HARRY METCALF 272
An Activist Art: The Anti-Apartheid Prints of Norman Kaplan by JULIAN STALLABRASS 286
Shorter Notices
A ‘Power of Women’ Series by Peter Flötner by LÉA MONTEIL 297
Lithographs from Shanghai of the East Turkestan Engravings, 1890 by NIKLAS LEVERENZ 301
Notes
A History of Women Artists in Europe, 1400–1800 (Making Her Mark: A History of Women Artists in Europe) by DAGMAR KORBACHER 307
Southern Netherlandish Thesis Prints (Early Modern Thesis Prints in the Southern Netherlands: An Iconological Analysis of the Relationship between Art, Science and Power) by DANIEL GODFREY 310
Visualising Protestant Monarchy: Ceremony, Art and Politics after the Glorious Revolution (1689–1714) by MEREDITH M. HALE 313
Claude Gillot as Satirist (Claude Gillot: Satire in the Age of Reason) by RENA M. HOISINGTON 315
John Baptist Jackson in Venice (L’arte di tradurre l’arte: John Baptist Jackson incisore nella Venezia del Settecento) by MICHAEL SNODIN 317
Drawings for Engravings in Eighteenth-Century Spain (Del lapicero al buril. El dibujo para grabar en tiempos de Goya) by BENITO NAVARRETE PRIETO 320
Reproductive Printmaking and Art Illustrations in the Eighteenth and Nineteenth Centuries (La storia dell’arte illustrata e la stampa di traduzione tra il XVIII e il XIV secolo) by GIORGIO MARINI 324
Audubon as Artist (Audubon as Artist: A New Look at The Birds of America) by JULIE MELLBY 328
Books and Graphic Design in Latin America, 1920–1940 (Diagramming Modernity: Books and Graphic Design in Latin America) by MARK MCDONALD 329
Honoré Daumier: The Hellwig Collection (Honoré Daumier: Die Sammlung Hellwig) by ANASTASIA BELYAEVA 333
Why I Collect by ANTOINE ROUILLÉ D’ORFEUIL 336
The London Original Print Fair (The Great War: Britain’s Efforts and Ideals) by SILVIA MASSA 337
The Paris Print Fair by SILVIA MASSA 338
Catalogue and Book Reviews
Early Colour Printing: German Renaissance Woodcuts by ACHIM RIETHER 339
Berlin’s Collection of Prints by Dürer (Dürer fur Berlin. Eine Spurensuche im Kupferstichkabinett) by KSENIJA TSCHETSCHIK-HAMMERL 343
Guillaume Lethière by THEA GOLDRING 347
Marie Duval (1847–90) Victorian Cartoonist by RICHARD TAWS 353
The Grosvenor School Linocut by STEPHEN COPPEL 357