CONTENTS OF VOLUME XLI (2024)
NUMBER 1
Wenzel von Olmütz in Ulm? Discoveries and New Hypotheses Regarding his Architectural Prints by FEMKE SPEELBERG 3
Marcantonio Raimondi’s Naked Youth and its Sources by ALEXIS CULOTTA 16
Jacques Rigaud’s Drawings in Warsaw of the Residences of Louis XIV by PRZEMYSŁAW WĄTROBA 23
Shorter Notice
The Coronation of Ferdinand IV after Johann Hauer (1586–1660) from the George Grote Collection by PETER CRACK 33
Notes
Prints as Agents of Global Exchange, 1500–1800 by MARZIA FAIETTI 37
Architecture in Sixteenth-Century Italian Engravings (Architettura e incisione negli anni di Giulio Romano) by DANIEL GODFREY 39
Giacomo Ceruti (1698 – 1767), Inspired by Jacques Callot (Immaginario Ceruti. Le stampe nel laboratorio del pittore) by SHEILA MCTIGHE 42
Birth Figures: Early Modern Prints and the Pregnant Body by NATASHA RUIZ-GÓMEZ 43
Pietro Giacomo Palmieri (1737–1804) by ANTONY GRIFFITHS 45
French Literature Served on a Plate (Literatur auf französischen Steingut-Tellern des frühen 19. Jahrhunderts) by PATRICIA F. FERGUSON 46
Berlin’s Woodcuts (and Woodblocks) from 1400 to Today (Holzschnitt: 1400 bis Heute) by ELIZABETH SAVAGE 48
Max Liebermann (1847–1935) (Schwarz–Weiss. Max Liebermanns Druckgrafik) by GUNDA LUYKEN 50
Emilio Mantelli (1884–1918) (Una bizzarra bellezza: Emilio Mantelli e la grafica europea) by MARTIN HOPKINSON 53
The Grid in Print and Photography (On the Grid: Ways of Seeing in Print) by RACHEL VOGEL 55
Into the New: The Städel’s Collection of Works on Paper from the USA by SUSAN TALLMAN 59
Paul Nash: Designer and Illustrator by JAMES FINCH 60
The Indian Printmakers Guild in Delhi, 1900–2000 by NAMRITA SHARMA 62
Positive Fragmentation. Twentieth-Century Female Printmakers by ALEXANDER ADAMS 65
Visual Record: The Materiality of Sound in Print by SUSAN TALLMAN 67
The Chto Delat Newspaper: Twenty Years of Do-It-Yourself Publishing by YULIA TIKHOMIROVA 68
Printmaking in Oaxaca by MARK MCDONALD 72
Publications Received
Catalogue and Book Reviews
Italian Renaissance Nielli (I nielli Trivulzio. Storia, tecnica, collezionismo) by NAOKO TAKAHATAKE 79
Maerten de Vos Going Viral (The First Viral Images: Maerten de Vos, Antwerp Print, and the Early Modern Globe) by PETER PARSHALL 84
Fencing Manuels in the Mokken Collection by EMANUELE LUGLI 88
Dutch Political Prints (Paper Knives, Paper Crowns: Political Prints in the Dutch Republic) by NADINE ORENSTEIN 92
Dresden’s Collection of Chinese Prints by MAUREEN CASSIDY-GEIGER 97
Curt Glaser and his Art Collection by ANDREAS STROBL 103
NUMBER 2
Hieronymus Cock’s Battle Prints Reconsidered in Light of his Siege of Centallo by PIETER MARTENS 123
Compiling Standardized Speculum Romanae Magnificentiae Albums, c. 1575–81 by MAGDALENA HERMAN 141
Simon Gribelin’s Presentation Albums by RHIAN WONG 157
Notes
Early German Engraving before Dürer (Vor Dürer: Kupferstich wird Kunst) by MAILENA MALLACH 172
Albrecht Dürer: Gravure et Renaissance by CATHERINE JENKINS 175
The Liberna Collection, Mettingen, Germany (Storytelling: Die erzählerische Kraft der Druckgrafik and Von der Schönheit der Präzision: Faszination Buchkunst und Grafik mit der Liberna Collection) by ANTONY GRIFFITHS 177
The Power of Women – Prints from the Moret Collection (El poder de mujeres. Ecos del Weibermacht en la Colección Mariano Moret) by ELENA ESCUREDO 179
Andrea Fulvio’s Illustrium Imagines and the Beginnings of Classical Archaeology (Brian Madigan, 2023) by ANDREW BURNETT 180
Poseidon with a Bident by BERNARD BARRYTE 182
Mikhail Makhaev’s (1717–70) St Petersburg (Julia Khodko, Peterburg Mikhaila Makhaeva. Grafika I zhivopis’ vtoroi poloviny XVIII veka) by GALINA MARDILOVICH 183
Playing Cards: The Art of the Deal by SHIJIA YU 185
Promenades on Paper: Eighteenth-Century French Drawings from the Bibliothèque National de France by THEA GOLDRING 188
Edvard Munch (1863–1944) and the Avant-Garde in Paris and Berlin (Munch and his World: Graphic Arts and the Avant-Garde in Paris and Berlin) by LARS BERG 190
Hiroshige Fan Prints: The Georges Leskowicz Collection (Hiroshige. Les éventails d’Edo – Estampes de la Collection Georges Leskowicz) by ADELE SCHLOMBS 192
B.J.O. Nordfeldt: American Internationalist (Gabriel P. Weisberg / Barbara Thompson, Weisman Art Museum and Wichita Art Museum) by JULIE MELLBY 196
Albert Baertsoen (Protagoniste fin de siècle, Musée des Beaux-Arts de Gand, Ghent, 2022) by GIORGIO MARINI 199
Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection (Elizabeth Wyckoff, Saint Louis Art Museum, 2022) by LESLIE COZZI 200
The Linocuts of Les Indélicats (1932–36) (Les linogravures du groupe Les Indélicats, 1932–1936. Supports artistiques d’une contestation politique et sociale) by MARTIN HOPKINSON 203
MODERN ART REVIEWed (Art Reviews, Magazines and Gallery Bulletins in Europe, 1910–1940) by STEPHEN J. BURY 206
American Modernism (Graphic Eloquence: American Modernism on Paper from the Collection of Michael T. Ricker) by JUDITH BRODIE 209
William Kentridge: Domestic Scenes (Warren Siebrits, 2021) by PAUL COLDWELL 211
Georg Baselitz: Malelade – Suite von 148 Probedrucken by FLORIAN SIMM 212
Obituary for Jay McKean Fisher by RUTH FINE 214
Addendum (‘Orthodox Prints in the Samokov Painters’ Archive’, Print Quarterly, xxxviii, 2021) 215
Publications Received 216
Catalogue and Book Reviews
Domenicus Lampsonius from Pen to Print (The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572), edited and translated by Edward Wouk) by MARISA BASS 218
Rembrandt’s Hundred Guilder Print (Amy Golahny, 2021) by JOANNA SHEERS SEIDENSTEIN 221
William Kentridge, Early Prints and Posters (Warren Siebrits, 2022) by JEAN MICHEL MASSING 227
NUMBER 3
L’Horrible monstre de nature François Ravaillac: Assassination and Execution Prints in 1610 by THOMAS BROWN 251
The Duke of Portland’s Album of Masquerade Costumes Worn in Warsaw in 1759 by DEREK ADLAM and MAUREEN CASSIDY-GEIGER 268
Icon Printing and Pimen Sofronov’s Collection by JUSTIN WILLSON 285
Shorter Notice
Maarten van Heemskerck and Dirck Volkertszoon Coornhert: A Newly Identified Woodcut by LISA BATTAGLIOTTI 302
Notes
Israhel van Meckenem (c. 1445–1503) (Art of Enterprise: Israhel van Meckenem’s 15th-Century Print Workshop) by CAROLYN YERKES 309
Illustrated Editions of Ovid’s Metamorphoses (Ikonographisches Repertorium zu den ‘Metamorphosen’ des Ovid. Die textbegleitende Druckgraphik, Band I.1: Narrative Darstellungen) by BERTHOLD KRESS 311
Susanna and Anna Lister and English Seventeenth-Century Natural History Prints (Martin Lister and His Remarkable Daughters: The Art of Science in the Seventeenth Century) by DANIEL GODFREY 313
Letters by Pierre Jean Mariette to Giovanni Gaetano Bottari (Il Codice 1606 (32-E-27) della Biblioteca dell’Accademia Nazionale dei Lincei e Corsiniana) by ANTOINETTE FRIEDENTHAL 316
Women in Print by ANDALEEB BADIEE BANTA 319
The Bookseller Edwin Pearson (1838–1901) and his Bewick Forgeries (Dealing in Deceit: Edwin Pearson of the ‘Bewick Repository’ Bookshop 1838–1901) by ANTONY GRIFFITHS 320
Vuillard and the Art of Japan by RICARD BRU 321
‘Die Sechs’ – Poster Designers in Munich, 1913–20 by JÜRGEN DÖRING 323
Hanna Nagel (1907–75) by PAUL COLDWELL 325
ETH Zürich and Vassar: Art Collections at Institutions of Higher Learning (From Albrecht Dürer to Andy Warhol: Masterpieces from the Graphische Sammlung ETH Zürich and Making & Meaning: The Frances Lehman Loeb Art Center / Vassar College) by SUZANNE BOORSCH 327
Parallel Lives: Eight British Twentieth-Century Women Artists by UNA RICHMOND 330
Joe Tilson (1928–2023) by PAUL COLDWELL 333
Andy Warhol bis Damien Hirst: The Revolution in Printmaking by FLORIAN SIMM 335
Woodblock Prints in Wichita, Kansas (The International Block Print Renaissance – Then and Now. Block Prints in Wichita, Kansas. A Centennial Celebration 1922–2022) by ANDREAS STROBL 336
Obituary for Dr Eduard Trautscholdt (1893–1976), Ruth-Maria Muthmann (1927–2021) and Marianne Küffner (1934–2024) of C.G. Boerner by ADRIAN T. EELES and F. CARLO SCHMID 338
Publications Received 340
Catalogue and Book Reviews
Cracks and Crevices – Etchings by Andrea Schiavone in Osijek (Andrea Meldolla Schiavone: Printmaking Genius of Mannerism) by MARIA ARESIN 342
Dare to Know: Prints and Drawings in the Age of the Enlightenment by RENA M. HOISINGTON 346
Political Caricature in the United States, 1789–1828 by TIM CLAYTON 351
Leo Steinberg’s Library of Prints by KEVIN SALATINO 355
¡Printing the Revolution! By TERESA ECKMANN 359
NUMBER 4
Andrea Andreani’s Abduction of the Sabine Women after Giambologna by RACHEL A. YOUNG 379
Jean Pierre Bouch, A Rediscovered Polymath by DORINDA EVANS 394
Printing Colour Theory: Paul Signac, Auguste Clot and Colour Lithography in 1890s France by NATALIA LAURICELLA 408
Shorter Notice
Jan Sadeler in Venetian Candia by GEORGIOS E. MARKOU 418
Notes
Hans Burgkmair’s Drawings (Hans Burgkmair: Die Zeichnungen) by PETER PARSHALL 425
Holbein and the Place of Print (Holbein: Capturing Character) by MARISA ANNE BASS 426
Prints in an Age of Instability: Art and Dis-illusion in the Long Sixteenth Century by JEFFREY CHIPPS SMITH 429
Callot, Della Bella, Castiglione and Etching in the Seventeenth Century (Die Freiheit der Linie) by F. CARLO SCHMID 432
The History of the Chalcographie du Louvre (Graver pour le Roi: Collections Historiques de la Chalcographie du Louvre) by CHRISTIAN RÜMELIN 434
Prints after Versailles Sculptures and Sculptures after Prints (Gravuren nach Skulpturen – Skulpturen nach Gravuren) by EVONNE LEVY 437
The Emblem on the Stage by SIMON MCKEOWN 438
Handbook of the Colour Print in China, 1600–1800 by CLARISSA VON SPEE 441
The First British Caricature in Aquatint? by NICHOLAS JS KNOWLES 445
Félicien Rops (1833–98) at the Hamburger Kunsthalle (‘Paris ist meine Bibliothek’. Zeichnungen und Druckgraphik von Félicien Rops) by LARS BERG 447
Wood-engraving (Scene through Wood: A Century of Wood Engraving) by CHRISTIAN RÜMELIN 450
From Posada to Isotype, from Kollwitz to Catlett by MARK MCDONALD 452
Becoming CoBrA (Beginnings of a European Art Movement) by JONAS STORSVE 454
Picasso on Paper by RHODA EITEL-PORTER 455
Gustav Kluge (b. 1947) (Gustav Kluge: Werkverzeichnis der Druckstöcke) by CHRISTIAN RÜMELIN 458
Publications Received 460
Catalogue and Book Reviews
Raffaello Schiaminossi by JAMIE GABBARELLI 462
Adriaen van Ostade (The New Hollstein Dutch & Flemish) by TOM RASSIEUR 465
300th Anniversary of Piranesi’s Birth (Giambattista Piranesi: Architetto senza tempo; Das Piranesi-Prinzep; Piranesi Unbound) by BÉNÉDICTE MARONNIE 469
The East India Company: British Art and Political Reform in Colonial India (Unmaking the East India Company) by DEBORAH SWALLOW 474
Exploring Emil Orlik (Emil Orlik an Max Lehrs. Künstlerpost aus aller Welt; Emil Orlik: Das druckgraphische Werk) by AGNES MATTHIAS 480