CONTENTS OF VOLUME VIII (1991)

NUMBER 1

Richard Earlom (1743-1822) and Boydell’s Houghton Gallery by GREGORY M. RUBINSTEIN
Nicoletto da Modena’s Late Works Reconsidered by MARK J. ZUCKER
A Study by Pocetti for his Etching of the Way to Calvary by NICHOLAS TURNER
The Engraver of the First Folio Portrait of William Shakespeare by CHRISTIAAN SCHUCKMAN
Who Took the King of Sweden to Bed? by NADINE ORENSTEIN
A Contract Between George Harlow and William Cribb by SHEILA O’CONNELL
A Further Note on the Printing and Distribution of Goya’s Etchings in Nineteenth-century Spain by NIGEL GLENDINNING
Paula Rego’s Nursery Rhymes by SANDA MILLER
The Prints of Cornelis Anthoniszoon by PETER W. PARSHALL
Philip II and the Escorial by JOHN BURY
German Illustrated Broadsheets by JEAN MICHEL MASSING
Illustrated Books in Lyon by JUDI LOACH
Giuseppe Zocchi’s Tuscany by BARBARA JATTA
Meryon by DAVID P. BECKER
Gauguin and the School of Pont-Aven by PATRICIA ECKERT BOYER

NUMBER 2

The Prints and Drawings in the Library of Consul Joseph Smith by ANTONY GRIFFITHS
A Lunario for the years 1584-1586 by Francesco da Volterra and Diana Mantovana by VALERIA PAGANI
Prints after Guercino by STEPHANE LOIRE
Jan van de Velde IV and the Invention of Aquatint by AD STIJNMAN
Christopher Le Brun: Fifty Etchings by COLIN WIGGINS
The Body in Renaissance England by MICHAEL BATH
Guercino and his Engravers by NICHOLAS TURNER
The Mezzotint by ELLEN D’OENCH
French Popular Imagery by DOMINIQUE LERCH
Odilon Redon by STEPHEN F. EISENMAN
Avant-Garde British Printmaking by MARTIN HOPKINSON
UVULAE by BARRY WALKER

NUMBER 3

The Evidence of Offsets in Renaissance Italian Maps and Prints by DAVID WOODWARD
The Young Hollar in Prague: A Group of New Attributions by CRAIG HARTLEY
Nicolaus Braeu and Gillis van Breen: Two Printmakers or One? by JOANEATH SPICER
Sir Christopher Wren and the Head of a Moor by RICHARD GODFREY
White Ink by ANTONY GRIFFITHS
Whistleriana by ALBERT REESE
Sadeler by ISABELLE DE RAMAIX
Rembrandt’s Self-Portraits by MARTIN ROYALTON-KISCH
Rubens Prints at the Fitzwilliam Museum by WALTER LIEDTKE
German Prints and their Public by FRANK WHITFORD
Wilfred Fairclough by PETER BLACK
Nora Unwin by ANNE STEVENS
Fans by CHRISTOPHER LENNOX-BOYD

NUMBER 4

Kunisada and the Last Flowering of Ukiyo-e Prints by ELLIS TINIOS
French Circus Posters by SEGOLENE LE MEN
Contemporary Lithographs Ltd by ANTONY GRIFFITHS
Relief Printing and the Development of Hayter’s Colour Method by PETER BLACK
Beccafumi ‘glum & gloomy’ by CRAIG HARTLEY
Contemporary British Printers’ Chop Marks by SILVIE TURNER
A Biography of Dürer by CHARLES TALBOT
Beccafumi by DAVID LANDAU
The Bicentenaire and the Print by ANTONY GRIFFITHS
The Rome of Piranesi by NICHOLAS PENNY
The Armingtons by CAROLYN MACHARDY
John Buckland Wright by IAN LOWE