CONTENTS OF VOLUME VII (1990)

NUMBER 1

The Triumph of Caesar by Benedetto Bordon and Jacobus Argentoratensis: Its Iconography and Influence by JEAN MICHEL MASSING
Justus Sadeler: Print Publisher and Art Dealer in Early Seicento Venice by PHILIPPE SENECHAL
The Prints of Andre Derain by JANE LEE
Jan Philipsz. Schabaelje (1592-1656) and his ‘Bibles in Prints’ by CHRISTIAAN SCHUCKMAN
Thesenblatter by DAVID PAISEY
The Soliani Woodblocks by DAVID ROSAND
Early Lithography in Austria by LUTZ RIESTER
Panorarnania! by ALBERTO MILANO
The Nabis and the French Popular Press by COLTA IVES
Jacques Villon at Gravelines by LUCIEN GOLDSCHMIDT

NUMBER 2

Early Mezzotint Publishing in England – II: Peter Lely, Tompson and Browne by ANTONY GRIFFITHS
Roger Vieillard by PETER HACKER
Two Neglected Woodcuts by Sebald Beham by CRAIG HARTLEY
Rosso Fiorentino’s St Peter and St Paul by SYLVIE BEGUIN
Mellan and Peiresc by DAVID JAFFE
Biblia Pauperum by EVELYN SILBER
Art and Cartography by RALPH HYDE
Stubbs by JUDY EGERTON
Hokusai by MATTHI FORRER
Mary Cassatt by CHRISTOPHER LLOYD
Black Figures by TESSA SIDEY
Twentieth-Century Canadian Prints by MICHAEL PARKE-TAYLOR

NUMBER 3

Some Sixteenth-Century Venetian Bible Woodcuts Inspired by Holbein’s Icones by ERIKA MICHAEL
Jacques de Gheyn II: Engraver, Designer and Publisher – I by JAN PIET FILEDT KOK
A Nineteenth Century Forgery of a Woeiriot Print by PETER FUHRING
Bessie Wentworth Singing ‘Little Alabama Coon’:  A Lithograph by Toulouse-Lautrec by HERBERT D. SCHIMMEL
The Gargoyle Images of John Taylor Arms by S. WILLIAM PELLETIER
Jolan Gross-Bettelheim: A Hidden Life by REBA and DAVE WILLIAMS
Marcantonio Bolognese by JOHN T. SPIKE
Altdorfer by JOHN ROWLANDS
Pietro Testa by NICHOLAS TURNER
William and Mary by RICHARD GODFREY
Fashion in Prints by BIANCA M. DU MORTIER
Goya’s Print Series by REVA WOLF
La Bibliotheque Nationale by ANTONY GRIFFITHS
Wright of Derby by DAVID ALEXANDER
Prints and Censorship by THOMAS GRETTON

NUMBER 4

Jacques de Gheyn II: Engraver, Designer and Publisher – II: A Catalogue by JAN PIET FILEDT KOK
Printmaking Studios in Britain: The Continuing Tradition by SILVIE TURNER
Etienne Delaune and Jost Amman: Drawings after Prints and Prints after Drawings by ILSE O’DELL
A Seventeenth-Century Manual for the Restoration of Prints by MARK STEVENSON
The Feux d’artifice by Claude Lorrain by PETER KRUGER
A Couple of Feathers from a Raven’s Tale by MICHAEL PAKENHAM
Pissarro Prints in Bremen: Some Discoveries by ANNE ROVER
Claude Mellan by ELIZABETH CROPPER
The Etchings of Claude Lorrain by MICHAEL KITSON
The English Satirical Print by CELINA FOX
English Book Illustration by DAVID ALEXANDER
Osaka Prints by ELLIS TINIOS
James Smillie in Quebec by WENDY SHADWELL
Beckmann by SARAH O’BRIEN TWOHIG
Picasso’s Prints, 1959-1965 by DIANE R. KARP