CONTENTS OF VOLUME VI (1989)
NUMBER 1
The Print Collection of Cassiano dal Pozzo by ANTONY GRIFFITHS
Richard Hamilton’s Ulysses Etchings An Examination of Work in Progress by STEPHEN COPPEL
Bernardino Ricca and a Date for Marcantonio Raimondi’s Deposition by DAVID EKSERDJIAN
Salvator Rosa’s Figurine in the Museum of Fine Arts, Boston by RICHARD W. WALLACE
Plagiarism in Prints Supposititious Prints by CRAIG HARTLEY and CATHERINE MACLEOD
The Musical Entertainer Affair by NANCY VALPY
Fifteenth-Century Italian Woodcuts by DAVID LANDAU
Perspective Views and their Public by DAVID ROBINSON
Australian Bicentennial Exhibitions by IRENA ZDANOWICZ
Delacroix by KLAUS HERDING
Matisse: The Illustrated Books by SUSAN LAMBERT
NUMBER 2
An Early Exhibition and the Politics of British Printmaking, 1800-1812 by JOHN GAGE
Garner Tullis by CHARLES MILLARD
The Madonna of Loreto A Newly Discovered Work by the Master of the Vienna Passion by MARK J. ZUCKER
Cherubino Alberti and the Ownership of Engraved Plates by CHRISTOPHER L. C. EWART WITCOMBE
The Little Masters by JEFFREY CHIPPS SMITH
Mannerist Prints by SUZANNE BOORSCH
Guido Reni by NICHOLAS TURNER
William James Bennett by DAVID ALEXANDER
A Bird’s-Eye View of York by RALPH HYDE
Gauguin by RICHARD S. FIELD
Ellsworth Kelly by ELIZABETH ARMSTRONG
NUMBER 3
Early Mezzotint Publishing in England John Smith, 1652-1743 by ANTONY GRIFFITHS
Tales of a Raven The Origins and Fate of Le Corbeau by Mallarme and Manet by JULIET WILSON-BAREAU and BREON MITCHELL
A New Preparatory Drawing by Marcantonio Raimondi for his Kneeling Venus by MARZIA FAIETTI
Ornament Prints in Amsterdam by PETER FUHRING
Jan Lievens by GER LUIJTEN
Peter Stent by RICHARD GODFREY
1789 by MARCUS WOOD
NUMBER 4
From Print to Painting The Technique of Glass Transfer Painting by ANN MASSING
Nineteenth- Century Editions of Goya’s Etchings New Details of their Sales Statistics by NIGEL GLENDINNING
The Prints of Wojciech Weiss by ZOFIA WEISS ALBRZYKOWSKA
American Artists School’s Print Series Of 1936 by VIRGINIA HAGELSTEIN MARQUARDT and SYLVAN COLE
Therese Oulton’s Printmaking by DAVID COHEN
Italian Etchers by KATHARINA MAYER-HAUNTON
Claude Mellan by H. DIANE RUSSELL
Michiel Hinloopen’s Collection by TIMOTHY RIGGS
Goya and the Enlightenment by JANIS A. TOMLINSON
The Last Romantics in England by SARAH HYDE
Acquisitions at the Tate by PAT GILMOUR