CONTENTS OF VOLUME II (1985)
NUMBER 1
Pasteprints: A New Hypothesis About their Production by CYNTHIA L. BOWMAN
The Taste for Prints in Italy to c. 1600 by MICHAEL BURY
Simon Gribelin (1661-1733): Printmaker and Metal-Engraver by SHEILA O’CONNELL
Jean Morin’s Etched Portraits: Additions and Corrections to Hornibrook’s Catalogue by OSBERT BARNARD
A ‘New’ William Blake Engraving? by ROBERT N. ESSICK
New Light on ‘H.B.’: an Early Work by John Doyle by DAVID BLAYNEY BROWN
The Print Council Index by ANTONY GRIFFITHS
Bonasone by FREDERICK G. SCHAB
Carracci by CHARLES DEMPSEY
Stubbs at the Tate Gallery by CHRISTOPHER LENNOX-BOYD AND ROB DIXON
Whistler by GABRIEL P. WEISBERG
NUMBER 2
Perspective Views by C.J.KALDENBACH
The Early Prints of Ben Nicholson by JEREMY LEWISON
Prints and Prices by ALBERT REESE
Prints and the Transfer of Images and Styles by PETER W. PARSHALL
Whistler Etchings by NIGEL THORP
The Argument of the Eye by EUGENIA PARRY JANIS
Rediscovering Riviere by RICHARD THOMSON
Matisse by JOHN KLEIN
Gemini G.E.L. by RICHARD S. FIELD
THE LONDON ORIGINAL PRINT FAIR
NUMBER 3
The Print Privilege in Eighteenth-Century France by PETER FUHRING
The Rise of Etching in America’s Far West by RAYMOND L. WILSON
Towards a Tempesta Catalogue by VERONIKA BIRKE
George Hayter (1792-1871): A Printmaker of the 1820s by DAVID ALEXANDER
English Printmaking by CONAL SHIELDS
More English Printmaking by DAVID ALEXANDER
James Tissot by GABRIEL P. WEISBERG
The Age of Expressionism by GUNTHER THIEM
NUMBER 4
Claude Flight and his Australian Pupils by STEPHEN COPPEL
Auerbach as Printmaker by MICHAEL PODRO
The Inventory of Gilles Rousselet (1610-1686) by VERONIQUE MEYER
An Uncut Wood-Block by Lucien Pissarro by CHRISTOPHER LLOYD
Giorgio Ghisi by DIANE DEGRAZIA
Tobias Stimmer by CHRISTIANE, D. ANDERSSON
Prints in Eighteenth-Century France by ANNE AND ARSENE BONAFOUS-MURAT
A Dictionary of Illustrators by SUSAN LAMBERT
Adolph Von Menzel by ANTONY GRIFFITHS
Satire and Censorship by CELINA FOX