Johann Neudörffer the Elder and the Earliest German Recipe for Copper Etching by SUSANNE MEURER   3

Luca Ciamberlano’s Vision of St Teresa of Ávila and its Reflections in the Work of Rubens and Bernini by ECKHARD LEUSCHNER   14

Juan Francisco Rosa: Engraver to the Elite in Eighteenth-Century Lima by EMILY C. FLOYD with SUZANNE STRATTON-PRUITT   33

Shorter Notice

Alfredo Zalce’s Illustrations for El sombererón (1946) by MARK MCDONALD   52


Artemisia Gentileschi, Geronima and Isabella Parasole and Lavinia Fontana (By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500–1800) by EVELYN LINCOLN   62

Altered Plates by ANTONY GRIFFITHS   63

Romeyn Hooghe’s Political Satires (The Birth of Modern Political Satire: Romeyn de Hooghe (1645–1708) and the Glorious Revolution) by PETER VAN DER COELEN   66

Johann Ulrich Kraus of Augsburg (1655–1719), Engraver, Etcher and Publisher by HELMUT GIER   68

Hokusai: The Great Picture Book of Everything by STEPHEN SALEL   71

Did Goya have a Workshop? (Goya: Génie d’Avant-Garde. Le Maître et son École and ‘Goya peintre’, in Technè, no. 53) by JANIS A. TOMLINSON   73

Ambiguity, Ambivalence and Art Nouveau’s Women (Goddesses of Art Nouveau) by MICHAELA MILGROM   75

A Modern Influence: Henri Matisse, Etta Cone and Baltimore by ISABEL SELIGMAN   77

Naturalist Gilbert White (1720–93) and the Artists by EILEEN HOGAN   81

Joseph Beuys: Posters by GILL SAUNDERS   83

Tanaka Ryōhei (1933–2019) by ELLIS TINIOS   84

Landfall Press by ROBIN REISENFELD   84

British Printmaking – Hockney to Himid by PAUL COLDWELL   87

Obituary for Lino Mannocci (1945–2021) by ANNE LYLES   89

Obituary for Paula Rego (1935–2022) by PAUL COLDWELL   90

Obituary for Andrew Edmunds (1943–2022) by ANTONY GRIFFITHS and CHRISTOPHER MENDEZ   92

Obituary for Ger Luijten (1956–2022) by NADINE ORENSTEIN   93

Publications Received   94

Catalogue and Book Reviews

Late Gothic Prints from the German-Speaking World by JOYCE ZELEN   98

Giovanni Battista Piranesi’s Plates (Giambattista Piranesi: Matrici incise 1743–1753) by HEATHER HYDE MINOR   102

The Art of Anatomy (Flesh and Bones) by ROGER KNEEBONE   106

Prints and Their Makers by SUSAN TALLMAN   111


The Pope and the Grindstone: A Jacobean Satirical Print by HELEN PIERCE   131

Watteau and Boucher Conjoined: Imagining China in Marquetry by KEE IL CHOI JR.   138

Johann Heinrich Wilhelm Tischbein’s Album of Prints in the British Museum by LESLEY FULTON   150

Shorter Notice

Albrecht Dürer as St George: A Proposal by MARJORIE B. COHN   170


Gateways to the Book: Frontispieces and Title-Pages in Early Modern Europe by AN VAN CAMP   175

Warsaw’s German Prints (Old Master Prints from the 15th Century to the 1820s: German School, Barthel Beham and Sebald Beham. The Print Room of the University of Warsaw Library, Catalogue of the Collection) by SÉVERINE LEPAPE   176

Sixteenth-Century German Prints in Italian Private Collections (Incisori Tedeschi del Cinquecento) by GIULIA BARTRUM   178

Venetian Drawings and Prints in Munich (Venedig: La Serenissima – Zeichnungen und Druckgraphik aus vier Jahrhunderten) by MICHAEL MATILE   180

Castiglione at the Kunsthaus Zürich (Baroque Brilliance: Drawings and Prints by Giovanni Benedetto Castiglione) by TOM RASSIEUR   183

Hadriaan Beverland (1650–1716) in London (Blinded by Curiosity: The Collector-Dealer Hadriaan Beverland (1650–1716) and his Radical Approach to the Printed Image) by ANTONY GRIFFITHS   186

Print Collections and Collectors in Europe, 1500–1815 (Curieux d’Estampes. Collections et collectionneurs de gravures en Europe (1500–1815)) by KRISTEL SMENTEK   189

A History of Rome in Maps by MARK MCDONALD   192

Ernst Riecker’s and Otto Freiherr von Breitschwert’s Collections in Backnang and Tübingen by CHRISTIAN RÜMELIN   194

Learning to Draw (Linie lernen: Die Kunst zu zeichnen) by MICHAEL MATILE   195

Nineteenth-Century Series of Artists’ Portraits (Pantheon und Boulevard: Künstler in Porträtserien des 19. Jahrhunderts. Druckgrafik und Fotografie) by F. CARLO SCHMID   197

Decoration in Fin-de-siècle Books (Éloge du parergon : L’Art décoratifs du livre fin-de-siècle) by STEPHEN CALLOWAY   198

Ogata Gekkō (1859–1920) (Printed and Painted: The Meiji Art of Ogata Gekkō (1859–1920)) by ALFRED HAFT   201

Giovanni Guerrini (1887–1972) (Tra Preraffaellismo e Liberty. Opere 1908–1928) by MARTIN HOPKINSON   204

Nikolai Astrup (1880–1928) at Williamstown by MARTIN HOPKINSON   205

Harald Sohlberg (1869–1935) by MARTIN HOPKINSON   207

Edward McKnight Kauffer (1890–1954) by MARTIN HOPKINSON   209

Matisse: The Books by STEPHANIE D’ALESSANDRO   211

The Strong Black Women of Elizabeth Catlett by LISA E. FARRINGTON   213

Twentieth-Century Reproductive Engravers (Le Serviteur inspiré: Portrait de l’artiste en travailleur de l’ombre) by CHRISTIAN RÜMELIN   216

Forty Years of Printmaking – Anita Klein by PAUL COLDWELL   217

Obituary for Johann Christian Georg von Heusinger (1928–2022) by THOMAS SCHAUERTE   218

Catalogue and Book Reviews

Marcantonio Raimondi: Raphael’s Engraver and Beyond (Marcantonio Raimondi: Il primo incisore di Raffaello. Atti del convegno internazionale Urbino 23–25 ottobre 2019, and Giorgio Vasari e la vita di Marcantonio Bolognese, e d’altri intagliatori di stampe, edited by G. M. Fara) by ANGELIKA MARINOVIC   220

Alfred Kubin: Confessions of a Tortured Soul by MARSHA MORTON   224

Erich Heckel: A New Catalogue Raisonné of the Prints (Werkverzeichnis der Druckgraphik) by AYA SOIKA   228

Pop on Paper: Von Warhol bis Lichtenstein by SUSAN TALLMAN   231

Lucian Freud (Catalogue Raisonné of the Prints) by PAUL COLDWELL   234


A Copperplate of The Dominican Martyrs of Japan Reused by Murillo by CLOE CAVERO DE CARONDELET   251

Averkiy Kozachkovskyi and Western Sources of Kyiv Prints, 1720s–40s by VITALII TKACHUK   265 

Thomas Rowlandson’s The Women of Muscovy and Other Russeries After Jean-Baptiste Le Prince by NICHOLAS J.S. KNOWLES   287

Screenprinting in Postwar Italy: Nuvolo and the Invention of ‘Serotipie’ by KATIE LARSON   302


Niccolò della Magna and Florentine Printing before 1493 (Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493) by ALESSANDRA BARONI   317

The Renaissance Female Nude (Der Liegende Weibliche Akt in Malerei und Graphik der Renaissance) by DANIEL GODFREY   318

Engravings and Drawings by Bernard Salomon by ILARIA ANDREOLI   320

The Ruins Lesson: Meaning and Material in Western Culture by MARK MCDONALD   322

Vatel: The Splendours of the Table During the Reign of Louis XIV by SUNG MOON CHO   325

Francois Spierre (1639–81) (Un incisore lorenese nella Roma barocca) by VERONIQUE MEYER   327

William Blake: Visionary by DAVID BINDMAN   330

Caricature in France 1789 to Late 1800s: Continuity and Mutation by PATRICIA MAINARDI   331

Important Gift of Currier & Ives Prints by CONSTANCE MCPHEE   334

Lyonel Feininger. La Ville et la Mer by MARIE GISPERT   336

The Käthe Kollwitz Museum in Cologne (Käthe Kollwitz: A Survey of Her Works 1888–1942) by LOUIS MARCHESANO   337

Printmaking in New Zealand (Ink on Paper. Aotearoa New Zealand Printmakers of the Modern Era and Proof. Print Council Aotearoa New Zealand: Two Decades of Printmaking) by DAVID MASKILL   339

Valerie Maynard – Lost and Found by JUDITH BRODIE   342

Storywork: The Prints of Marie Watt by ALEXANDER ADAMS   344

Catalogue and Book Reviews

The Liefrinck Dynasty (The New Hollstein series) by EDWARD H. WOUK   347

James Gillray: A Revolution in Satire by MARK BILLS   353

Japanese Woodblock Prints from the Ernst Grosse Collection in Freiburg by JEANNIE KENMOTSU   357

The Dalziel Archive and Victorian illustration (The Wood Engravers’ Self-Portrait) by STEPHEN BANN   360


Agostino Veneziano’s Venetian Engravings of the 1520s by ANGELIKA MARINOVIC   379 

Beyond Siberia: Drawings by Le Prince for the Histoire Generale des Voyages by THEA GOLDRING   391

La Fontaine, Goya, Grandville: A Study of Visual and Literary Sources by PAULA FAYOS-PEREZ   406

Arthur von Franquet, Collector of Prints by Munch by LARS BERG   420


The Polyhedrists: Art and Geometry in the Long Sixteenth Century by SUSAN DACKERMAN   433

Marcantonio Raimondi’s Matrix for The Massacre of the Innocents by LISA PON   435

Maarten van Heemskerck’s Vicissitudes of Human Affairs by CHRISTIEN MELZER   437

Gaspare Sacchi and a Date for Marcantonio Raimondi’s Virgin and the Cradle by DAVID EKSERDJIAN   439

A Biographical Dictionary of British and Irish Engravers, 1714–1820 by TIM CLAYTON   442

Manet’s Letters to Félix Bracquemond Rediscovered by NIGEL IP   443

The Crowd in Fin-de-Siècle Prints by BRITANY SALSBURY   445

Edvard Munch: In Dialogue at the Albertina by PAUL COLDWELL   446

Memories of Shōwa: Impressions of Working Life by Wada Sanzō by QUINTANA HEATHMAN SCHERER   449

Norman Stevens (1937–88) by PAUL COLDWELL   451

Charles Donker. D’Abord Regarder by STEPHEN H. GODDARD   453

San Francisco’s Mission Gráfica: Reflecting a Community in Print by TATIANA REINOZA   455

Walton Ford (b. 1960) by SUSAN TALLMAN   458

Niels Borch Jensen’s Printshop by JENNIFER RAMKALAWON   460

Obituary for John Ittman (1942–2023) by LOUIS MARCHESANO and INNIS SHOEMAKER   463

Publications Received   464

Catalogue and Book Reviews

Johann Philipp Thelott (1639–71), Printmaker in Frankfurt by JOHN ROGER PAAS   468

The Theatrum Sabaudiae in Bird’s Eye View by TRUUSJE GOEDINGS   473

Insights into small European Devotional Images by ALEXANDRA C. AXTMANN   477

Surrealists in New York: Atelier 17 and the Birth of Abstract Expressionism by CHRISTINA WEYL   480