CONTENTS OF VOLUME XXXVIII (2021)
NUMBER 1
An Unpublished Proof of the Arch of Honour of Maximilian I by NANCY BIALLER and FREYDA SPIRA 3
Pietro Paolo Drei’s Flower Mosaics Revealed in Print by ERIN GIFFIN 17
Ludovico Mirri’s Vestigia and Publishing in Eighteenth-Century Rome by FRANCESCA GUGLIELMINI 29
The Marshall Family’s Print Publishing Business by DAVID STOKER 50
Notes
The Renaissance Arctic (Into the White: The Renaissance Arctic and the End of the Image) by JEAN MICHEL MASSING 64
Lotteries, Art Markets, and Visual Culture in the Low Countries, 15th-17th centuries by MEREDITH M. HALE 67
Going Beyond the Goose (The Cultural Legacy of the Royal Game of the Goose: 400 Years of Printed Board Games) by NAOMI LEBENS 70
The Lost Library of John V, King of Portugal by ANTONY GRIFFITHS 72
Anton Maria Zanetti II and Limited Editions in Venice c. 1734 by DOMENICO PINO 74
The Bibliothèque Nationale de France’s Enfer (L’Enfer de la Bibliothèque: Éros
au secret) by JAMES GRANTHAM TURNER 76
Grotesques: Fantasy Portrayed by FEMKE SPEELBERG 79
Gabriel Belot (1882–1962) by MARTIN HOPKINSON 82
American Prints at the Getty (True Grit: American Prints from 1900 to 1950) by JUDITH BRODIE 83
Asger Jorn (1914–73) (Errations in Wood, Copper and Stone. Asger Jorn’s Prints) by JONAS STORSVE 86
KP Brehmer (1938–97) (KP Brehmer Art Propaganda) by DAVID BEECH 87
Nancy Spero: Acts of Rebellion by PAUL COLDWELL 89
Publications Received 91
Catalogue and Book Reviews
Etchings of the Renaissance (The Renaissance of Etching) by JAMIE GABBARELLI 93
Frans Floris (1519/20–70): Imagining a Northern Renaissance by SÉVERINE LEPAPE 99
Rubens’s Printmaking Enterprise (Die Kunst der Interpretation: Rubens und die Druckgraphik) by JACO RUTGERS 103
In Search of Anton Maria Zanetti the Elder (La vita come opera d’arte: Anton Maria Zanetti e le sue collezioni) by ANTOINETTE FRIEDENTHAL 108
Bits and Pieces: 400 Years of Collage by SUSAN TALLMAN 114
NUMBER 2
Orthodox Prints in the Samokov Painters’ Archive by CLAIRE BRISBY 131
‘Souvenirs de l’Ombrellino’: Early Prints by Marcellin Desboutin by MICHELE AMEDEI 154
Reproducing the United States Capitol Rotunda by NATALIA ÁNGELES VIEYRA 170
Shorter Notice
Francesco de Nanto in Rome 1524–26: New Documents by MICHAEL BURY 180
Notes
Prints After the Antique Up to 1869 by F. CARLO SCHMID 184
Alonso Berruguete: First Sculptor of Renaissance Spain by BENITO NAVARRETE PRIETO 187
Rosenwald, Hind and Early Modern Portrait Engravings by LARA LANGER 189
Spanish Drawing Books (El Maestro de Papel) by FRANCISCO J. R. CHAPARRO 191
Rembrandt’s Fall of Haman in the Hermitage by ANATOLE UPART 193
Surimono From the Virginia Shawan Drosten and Patrick Kenadjian Collection by ELLIS TINIOS 195
A Portrait by Jeanne-Elisabeth Chaudet and Its Source by DAVID EKSERDIJAN 197
Joseph Philibert Girault de Prangey (1804 –92) by JEAN MICHEL MASSING 198
Toulouse-Lautrec & The Art of Celebrity by NICHOLAS-HENRI ZMELTY 201
Gustave Baumann (1881–1971) by JANE GLAUBINGER 203
Folded Books: Die Geschichte(n) Gefalteter Bücher by GITTA BERTRAM 207
Barnett Freedman (1901–58) by MARTIN HOPKINSON 209
Evan Summer by MARTIN HOPKINSON 210
Franz Gertsch: The 90th Birthday Tribute by LAURENCE SCHMIDLIN 212
The Graphic Works of Günter Brus by LENA FRITSCH 214
Anna Metz by ELMER KOFLIN 216
Catalogue and Book Reviews
Revisiting Hans Baldung in Karlsruhe by ARMIN KUNZ 220
German Illustrated Broadsheets from the Moritzburg by JEAN MICHEL MASSING 223
Bridget Riley: The Complete Prints 1962–2020 by GILL SAUNDERS 229
Jasper Johns Monotypes by JOAN ROTHFUSS 233
NUMBER 3
Revisiting Mantegna by DAVID LANDAU 251
New Light on the Life and Work of the Mezzotint Engraver William Pether (1739-1821) by DOMINIKA CORA 289
Shorter Notice
Three Meanings of ‘Copyright’ in British Nineteenth-Century Printmaking by ANTONY GRIFFITHS 302
Notes
A Pseudo-Gregorian Indulgence in Santa Maria Assunta in Fiera di Primiero by NICOLAS BARKER 308
Breidenbach and Reuwich’s Gart der Gesuntheit (Im Garten der Gesundheit: Pflanzenbilder zwischen Natur, Kunst und Wissen in gedruckten Kräuterbüchern des 15. Jahrhunderts) by DOMINIC OLARIU 311
Mystérieux Coffrets: Estampes au Temps de la Dame à la Licorne by CATHERINE JENKINS 311
Andrea Mantegna. Rivivere l’Antico costruire il Moderno by MARZIA FAETTI 315
The Print Collection of Cassiano dal Pozzo. II: Architecture, Topography and Military Maps by PIETER MARTENS 316
Monumental Italian Painting in Prints (Grande Decorazione: Italienische Monumentalmalerei in der Druckgraphik) by DAVID KLEMM 319
Gottfried A. Gründler’s Der Naturforscher (1773) by ANNA GIELAS 322
The Art of Advertising and Vintage Advertising: An A-Z by SHEILA O’CONNELL 324
Did Vincent van Gogh Collect Japanese Prints? (Japanese Prints: the Collection of Vincent van Gogh) by ELLIS TINIOS 328
The Etching Revival (L’eau-forte est à la mode 1840-1910) by MARTIN HOPKINSON 330
New Scholarship on Lautrec (Toulouse-Lautrec, résolument moderne and Henri de Toulouse-Lautrec: La stratégie de l’éphémère) by BRITANY SALSBURY 333
HAP Grieshaber and Jems Koko Bi (Im Wald geboren / Born in the Woods: Jems Koko
Bi & HAP Grieshaber) by JEAN MICHEL MASSING 335
Prints at the Pierre 339
Publications Received 339
Catalogue and Book Reviews
Renaissance Invention: Stradanus’s Nova Reperta by PETER PARSHALL 342
The ‘Pataphysical Potentials of Print (Alfred Jarry: The Carnival of Being) by ANNA SIGRIDUR ARNAR 347
The Poster: A Visual History by ALLISON RUDNICK 352
NUMBER 4
Memoirs of the Print Trade
Introduction by Antony Griffiths 371
Gordon Cooke 376
Alan Cristea 380
Adrian Eeles 384
D. Lesley Hill and Alan N. Stone 390
Armin Kunz 393
Christopher Mendez 398
Frederick Mulder 402
Hubert Prouté 406
Mary Ryan 410
David Tunick 415
Notes
The ‘Colour-Tone Print’: Innovation in the Construction of the Body by ELIZABETH SAVAGE 421
Étienne Delaune (1518/19–83) by CATHERINE JENKINS 423
Prints after Raphael, from Marcantonio Raimondi to Giulio Bonasone by ANNE BLOEMACHER 427
Prints after Designs by Antoine Caron by KETTY GOTTARDO 430
Rubens as Designer of Title-Pages by HANS JAKOB MEIER 433
Thomas Hobbes’s Leviathan (1651) by MICHAEL HUNTER 434
The History of the Wig by ELIZABETH L. BLOCK 436
William Blake at Tate Britain by RICHARD TAWS 438
Maine’s Lithographic Landscapes by LINDSAY LEARD-COOLIDGE 440
From Australia to the British Museum by MARK MCDONALD 441
Max Sulzbachner (1904–85) by CHRISTIAN RÜMELIN 443
The Woodcut in Italy in the Twentieth Century by MARTIN HOPKINSON 445
Le Livre Futuriste Italien by STEPHEN J. BURY 447
Siemen Dijkstra – à bois perdu by JUDITH BRODIE 448
Contemporary Prints from the Middle East and North Africa at the British Museum by ALEX DIKA SEGGERMAN 450
Corrections to ‘Wenceslaus Hollar’s Muscarum scarabeorum vermiumque varie figure Anatomized and Identified’ by MARK STOCKER, JULIA KASPER AND PHIL SIRVID 453
Obituary for Michael Bury (1947–2021) by MARK MCDONALD 453
Catalogue and Book Reviews
Early Assemblage of Manuscript and Print by DAVID S. AREFORD 455
Jacob Cornelisz ‘Van Oostsaanen’ by DAANTJE MEUWISSEN 459
Bruegel: The Complete Graphic Works by NADINE M. ORENSTEIN 464
Jacob Christoff Le Blon and Trichromatic Printing by HANS JAKOB MEIER 469
The Kimono in Print by ANNA JACKSON 473